PHOTOSHOOTS
A collection of works by Bryan Wark
Known for his minimalist lighting setups. Exploring abstract and alternative concepts using mixed mediums. Professional photographer binghamton, Bryan Wark has been praised for capturing true emotion. Whether it be true joy, intimacy, pain or acceptance.
My Family ‘23
I can hardly believe it's already 2024. It feels like just yesterday when my wife and I, in our cozy one-bedroom apartment with our puppy Zoey, dreamt of having children. Now, our family has blossomed beautifully, with Zoey, Milo, our angel in heaven Rylee, our boys Jo Jo (almost 2) and Isaiah (nearing 4), not to mention the foster children who've graced our home over the past four years. Their presence, though I wish I could share photos, has profoundly impacted our lives. Stepping away from social media for a year somehow made time slow down a bit, for which I'm thankful. During this hiatus, as I've mentioned in other blogs, I delved into film photography. I've grown fond of the nostalgic essence of 35mm, especially using the Nikon F2, capturing candid moments of the kids growing up. Below are some of my favorite 35mm film shots of Isaiah, JoJo, and my beautiful wife and loving mother, Krista, from 2023.
Portraits with Azalandra
A look at some of my favorite portraits taken while working with model Azalandra
It’s not often you can walk into a room and immediately just become friends. That’s exactly what happened when meeting model Azalandra. Not only did she immediately become a muse of mine while I tested out new lighting techniques but for the most part photoshoots quickly became an excuse just to hang out. Over the past few years, we have done dozens of shoots together. I even got to do an awesome photoshoot with her husband. Needless to say, working with Azalandra is always a pleasure. These are 13 of my favorite portraits we have created together
***WARNING SOME EXPLICIT CONTENT***
“Low” with Lady Embra
As the song LOW goes ‘Them baggy sweatpants and the Reeboks with the straps’. Lyrics that created such a fun shoot with Lady Embra
This is another shoot from 2021 I wish I had done more with. Amber or better known as Lady Embra truly delivered as she always does. The concept was a play on the song “Low” and its ridiculous description of single woman’s wardrobe. If you are unfamiliar, it goes a little something like this…
“Shawty had them apple bottom jeans (jeans)
Boots with the fur (with the fur)
The whole club was lookin' at her
She hit the floor (she hit the floor)
Next thing you know
Shawty got low, low, low, low, low, low, low, low
Them baggy sweat pants and the Reeboks with the straps (with the straps)
She turned around and gave that big booty a slap (hey)
She hit the floor (she hit the floor)
Next thing you know
Shawty got low, low, low, low, low, low, low, low”
Needless to say although a dated reference, I knew we could have fun pulling off the concept. We took a pair of sweatpants turned them into a shirt, got some fury boots a pair of kicks, and form-fitting jeans, and had at it. Honestly, I would love to revisit this shoot one day with some of my darker aesthetics and maybe some gels. All in all, though I loved just having some fun with this one. we even made a short video just to make it.
100 Black and White Portraits
A look at my portrait work during the first few years of running Silent Portraits.
Portrait photography has always been something I have been driven to. After about 7 years of first name last name photography I started Silent Portraits. I officially launched my website on January 1st, 2020. Although world events did hinder my plans to a degree I was still able to push forward. Now here I am quickly approaching the end of my 4th year of working under the name Silent Portraits, and I think it’s important to showcase my work those first couple years. To remember everyone I had the chance to work with and all the art we created together. As I move forward and continue to grow, these 100 portraits will always share a special place within my catalog of work.
Pin up Girl with Risa Fox
A lost photo shoot from 2021, with Risa Fox
While cataloging my work from over the years I came across this small set of Pin Up style poses I did with a great model friend of mine, Risa Fox. The photos where taken near the beginning of 2021, when I was first experimenting with more brightly lit subjects instead of my traditional dark faded into the shadows lighting setups. Although I only ever edited the 4 photos and never used them for anything more than practice, I love the way they came out and wanted to give them a home for people to enjoy when they come across my website.
Film with Breana DeVey
Portra 400, Nikon f2, 55mm 1.8 with Breana DeVey
I finally got my hands on one of my dream cameras. The Nikon F2 35mm. Between its industrial feel, its durability, and it’s overall appearance, it is one of my favorite mid-level 35mm film cameras. Finally, I have one in my collection. For being a nearly 50yo camera with regular use before it made its way to my hands, it’s in excellent condition for the most part. However looks mean nothing if its internal mechanisms are shot and the only way to find out truly, is to run a roll of film through it. So while doing a shoot with Breana DeVey she was happy to let me use her as a test subject.
Now I’m still getting used to shooting on film overall, and with this being a new camera, let’s just say we both knew the photos had a good chance of being rough. With that said, for my third official photoshoot on film, I was pleasantly surprised and truly enjoyed the results. They are fun reminders of how much fun we had on the beach shooting that day. I am def getting the hang of this.
Body: Nikon f2, Lens: 55mm 1.8 Nikon, Natural Light, Taken Bryan Wark @ Rochester Ny
More Film with Hannah Garrett
With candid practice photographing my kids, It was time to head out with Hannah and see how much I had learned in the world of Film Photography
Let’s talk Film. Overall I have become a lot more comfortable shooting on film, trying out different brands and qualities. This was also my second model shoot using film and this Time Hannah and I decided to give it a go outdoors. Overall I am very pleased with my progress. I think my biggest obstacle at the moment would be slowing down and truly planning out each shot to make sure I am getting the correct lighting angle, Setting up my tripod if I have to bring the shutter down. I am still so used to the digital age of shooting 4 shots, one of them will work I can composite 2 of them together if need be, etc. whereas now it really is to make the shot work or waste an entire shot.
One thing to note is this was the last roll I had photographed on my GAF 35mm and have since bought myself a Nikon f2 a dream camera of mine. I have put around 9 rolls through it however I still have yet to develop and process them as I am writing this so fingers crossed.
For now, I am content with my skill level and progress and will continue to practice over the following months. My goal is to truly be confident with my abilities by 2024 and start trying my hand at doing full series on film.
GAF 35 mm film camera with 50mm 1.2 lens, taken on Cinistill XX black and white and Cinestill 50 daylight film.
Portraits with Laurel Karee
Model Laurel Karee flawlessly brings a set together utilizing different backdrops and wardrobes for a variety of photos taken during a photoshoot
“The Church says: the body is a sin.
Science says: the body is a machine.
Advertising says: The body is a business.
The Body says: I am a fiesta.”
- Eduardo Galeano
Body: Nikon z7ii, Lens: 85mm 1.8 Nikkor, Natural Light, Taken by Bryan Wark @ Clinton St studios in Binghamton Ny.
Chosen as a featured image By Behind the Shutter for their Best Fashion theme of August 2023
Simple Life with Akiel Cyrus
Akiel Cyrus brings the simple life “My first apartment” vibe to the studio as he shows off a fantastic minimalist fashion look.
“It is desirable that a man live in all respects so simply and preparedly that if an enemy take the town... he can walk out the gate empty-handed and without anxiety.”
- Henry David Thoreau
Body: Nikon z7ii, Lens: 85mm 1.8 Nikkor, Natural Light, Taken Bryan Wark @ Clinton St studios in Binghamton Ny.
Strike a Pose with Hannah Garrett
Natural Light, empty room, and fashion designer/model Hannah Garrett is a recipe for amazing simple portraits.
“I was not born to be forced. I will breathe after my own fashion. Let us see who is the strongest.”
- Henry David Thoreau
Body: Nikon z7ii, Lens: 85mm 1.8 Nikkor, Natural Light, Taken by Bryan Wark @ Clinton St studios in Binghamton Ny
Afternoon in the Studio with Carri Fairbairn
Working with Model Carri Fairbairn at Clinton Street Studios
“Quit hiding your magic. The world is ready for you.”
- Danielle Doby
Body: Nikon z7ii, Lens: 85mm 1.8 Nikkor, Natural Light, Taken Bryan Wark @ Clinton St studios in Binghamton Ny
Boudoir with Bri Krsyzckowski
Model and personal trainer Bri Krsyzckowski, photographed at Clinton St Studios
“Be the reason someone smiles. Be the reason someone feels loved and believes in the goodness in people.”
- Roy T. Bennett
Body: Nikon z7ii, Lens: 85mm 1.8 Nikkor, Natural Light, Taken Bryan Wark @ Clinton St studios in Binghamton Ny.
A Trip to Arcadia
From long drives to camping in the back of my SUV camper build, Nothing but my cameras at my side, a few good books, and a couple of movies loaded to my phone. Nothing quite beats life on the open road as I explore lighthouses and hike through Arcadia National Park.
DEEPDEEPDEEPDEEP my alarm rings out as I groggily stumbled for my phone. 4:30 came a lot quicker than I had liked. Most likely due to the fact that once again I hadn't fallen asleep until almost 2am. It would help if I didn’t pass the hours I was lying in bed partaking in the scroll of death as I watched a marathon of Ryan George’s pitch meeting videos on youtube.
On the good side of things, 4:30 meant It was time to hit the road. As I got into my car the sun had just started to show its face with perfect timing as the first hour of my drive is all backroads with patches of fog covering the farms and pink skies creeping over the hills.
Right as the sun finally took its spot in the throne for the day I was pulling onto the highway to head down to Boston for a little lesson in landscape photography from a great friend of mine and amazing wildlife and landscape photographer Bryan Maes. He and I had worked together for several years doing the wedding circuits but I hadn't had a chance to see him since he moved out of NY. I arrived a little after noon and he and I hopped on a train to the City so he could help teach me some of the finer points of composing landscapes and finding subjects.
Boston Cityscape
I crashed in his spare bedroom and the following morning he cooked breakfast and gave me some editing pointers which I greatly needed because I may be able to capture a decent portrait or 2 but landscapes are an entirely different ballgame. We said our goodbyes and then I headed up to Portland. I took the scenic route and stopped at a few iconic photo-friendly places along the way. The sky didn't quite participate but that’s part of the fun. I eventually arrived at my Air BnB. A minimalistic A frame that was a perfect mix of off-the-grid and tiny home.
A Frame Portland Airbnb
I spent the evening reading Tripp Ainsworth's "Smoke Pit fairy tales" which Was one of 2 books I vowed to get through during my excursion.
I ended up falling asleep which was short-lived as I was on a mission to photograph the sunrise. This time I had an hour's drive to put behind me before the sun crept up as I wanted to snag a photo of Portland Headlight. With all the effort, however, much like a sequel to your favorite movie 20 years in the making, the sunrise turned out to be just meh. Although I didn't quite get the sky I wanted the morning wasn't a loss and I did walk away with a good photo to practice on. In fact, I was able to catch a decent photo both with my Nikon Z7ii and on film with my 35mm GAF. Which sadly has a slight light leak so I was extra excited once I processed the film that with a slightly longer exposure, the image came out uninfected.
Portland Headlight, Nikon Z7ii
Portland Headlight Gaf 35mm, Cinestill 50daylight film.
The rest of my day was boring. I finished my drive to Arcadia which was my ultimate goal this trip. When I finally arrived, I drove around the park looking for perfect views and scouting locations. I eventually checked into my campsite and took a quick nap in my self-made camper in the back of my SUV. I finished reading “SmokePit fairytales” Then as my eyes grew tired again I decided to relax and watch a movie on my iPad and wait for sunset.
I chose to photograph Bar Harbor lighthouse Simply because Bryan decided to also head to Arcadia for the week and was there. Figured I could leach one last lesson out of him.
I ended up parking back at my campsite and falling asleep pretty quickly. My Camper build is beyond comfortable and feeds my yearning for enclosed spaces and none traditional living.
The next day I once again woke up by 4 but my agoraphobia seemed to catch up with me. It was inevitable so I knew at least one day would end up dedicated to avoiding human interactions as much as possible. Since I didn't have the motivation to see people, take photos or really exist around humanity in general, I took advantage of it being a Monday and early. I hit the deserted trails and apart from a few Selfies and a soothing video of the waves hitting the rocks below me. I barely touched my camera. Instead, I just hiked any random trail that looked intriguing. I ended up making it nearly 14 miles when all was said and done (I weigh 300 lbs that’s a lot for me hahaha)
Eventually, I retreated to my car cuddled up in the back, and watched several movies. When supper came around I set out to find a spot to take another sunset photo, which after driving around I couldn't bring myself to do. There were too many people in all the good spots and my brain just wanted nothing to do with it. So I ended up going to a lovely little cove facing the east as I knew it would be abandoned with no award-winning colors to view. My goal was to wait till just after dusk and see if I could capture a star-filled sky the one thing I still wanted to call my trip a success. I had several hours to burn so I sat on the shore listening to the quiet waves and read the book "Broke Babe in a Basement" by Carson McKenna. Who I had grown up with from afar. In fact, it wasn't until we reconnected years after high school that we even knew our lives in many ways mirrored each other. So it was so wonderful to finally find the time to read about her life and adventures. As I finished her book I started reliving my own struggles with addiction and misadventures fueled by drunken escapades and lost friends. As the sun finally set, I sat there alone. The only sounds were that of water calmly brushing over the pebbled beach. I looked out at the horizon and realized this trip had been absolutely perfect. A true escape that helped me refocus and center myself.
Broke Girl in a Basement on the shore, GAF 35mm, Cinestill 50daylight
I never did get my night sky photo. Over all I barely ever captured any of the photos I had set out to snag. I am ok with it though. The trip was exactly what it needed to be. Getting to see a friend, Trying some new food, and living life in the moment instead of solely behind the camera. That’s not to say I didn’t capture some great shots. Between a single roll of 35mm film in my GAF, and my Nikon z7ii here are some of my favorite photos.
My First Attempts with Film Photography
A look at my first successful roll of film taken on a GAF on Kodak gold film. Under Exposed and perfect. Model Hannah Grayson.
A few months ago, my parents called me and told me my aunt Sandy had found an old 35mm film camera in the barn when she was cleaning up and asked if I was interested. Always wanting to get into film photography, I jumped at the opportunity. Film photography to me is a true test that helps prove to myself I know how to create an interesting photograph, and not just know how to operate a computer that happens to have a lens.
The Nitty Gritty of Film Photography
In the past, before digital photography, photos were created using light-sensitive film rolls. After that, photographers would develop the rolls and print the photos in a dark room, a hands-on process that allows artists to engage with photography uniquely. Film photography provides complete control over image exposure and shutter speed in a more intimate way, and the capability to print and enlarge images can aid artists in comprehending the creation of photos.
Exploring photography through film can be a great experience, but it involves a lot of trial and error. While digital photography allows you to learn quickly, film photography may provide little feedback at the moment. You really do not know if you did anything wrong until you are physically looking at your negative. You can capture an excellent photograph with film. Unlike Digital but you really learn how to read lighting and understand the specific settings you use. In digital photography, you can review the metadata to see the f-stop and shutter speed settings used for the photograph to recapture it and have instant feedback to review in case you want to change things. Not to mention every shot of film comes with a physical price tag. Whereas digital go-ahead. Shoot 800 shots of something besides the headache of having to go through them. Chances are something is usable. There is no real risk with digital.
Thus Film is an actual testament to a photographer’s ability to understand well photography.
The Magic
Maybe I am secretly a hipster or one of those people born in the wrong decade with an old soul. But I am just drawn to film photography. It has a certain aesthetic to it that has always lured me. I never gave it a shot earlier, only because of the cost. As a professional photographer and owner of a business, there was a constant cost/risk associated with every decision. Spending 500 dollars to get into the beginning levels of photographic film with little to no financial benefit wasn't in the cards. It takes too long to process; you must buy and store it. You no longer have the option of double-checking to ensure everything is exposed correctly and taking multiple shots; the cons outweigh business practicality.
But here is the thing… I'm no longer a professional photographer; I'm a hobbyist. An artist by trade, I secretly hated being a professional. Of course, there were things I loved, but I just wanted to be an artist, and I decided that's what I would be. So now those cons are no longer cons. They are now pros, testing photographic film and waiting for it to be processed. Metering your shots and being forced into "in camera," almost everything becomes part of the process—the story behind a photograph. Every image becomes a work of art. As the world-renowned photographer Ansel Adams said:
'You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.'
Starting Out
With three rolls of donated Kodak 200 gold film and a GAF L-CS 35mm camera, it was time to start my journey into the world of photographic film. The first problem was that I needed to figure out if the camera worked. The benefit of many film cameras is that they work without electronics. So there's less risk of them malfunctioning after prolonged storage. I didn't have to worry about batteries or anything. However, with that, I had no idea if all the gears and everything worked, if there were unseen light leaks, et cetera.
The other thing is that the camera has a lot of noticeable buildup and debris within its only lens. That adds to the vintage feel, so it wasn't about to stop me from using this camera. I needed to shoot a roll of film to determine what I was up against. So I decided to shoot at Clinton St. Studios, a great spot in Binghamton with amazing natural light that made for an environment with limited variables as I tested out a few rolls of film.
Roll One:
Roll one was a huge disappointment because I had to test with Lizzie Tenwolde, who had not only provided me with the photographic film, but she and I had been shooting together for months. She was moving to Hawaii; it would be our last shoot together. As a precaution, I took photos with my Polaroid and digital cameras. You can see all of our work together HERE. Due to what was most likely user error, there was a feeding jam that did not advance the film in the camera and wrinkled it, rendering it useless and creating no exposures. It is what it is.
Roll Two:
Sadly, roll two came with its own list of issues, as when I went to unload it, the film release failed, causing the film to rip inside the camera. As I went to take the film out, all the shots were exposed to light, rendering the entire roll over-exposed and ruined. Although a disappointment, it proved to be a valuable lesson, and a few tweaks later, the film release was fully functional.
Which Moves Us Onto Roll Three:
Success!! Mmmm, well, debatable success. I love these photos. They are the first true film photos I set out to take.I love everything about them but they are far from perfect. Film photography is an entirely different world from digital photography. There is a lot more guesswork because your images are not readily available. I didn't have a light meter, so I had to base everything on what I would have shot with my digital camera and base decisions on that information. So everything was underexposed.
The Final Product
Nonetheless, it did create exposure. And truthfully, I am in love. There is a certain innocence in the naturalness of the images. The imperfections and mistakes are, truthfully, part of the fun. I took it to the Binghamton Photo Lab to be processed. I recommend they handle the photographic film in the area if you do not have a dark room to self-process. Alexis is awesome, and she makes sure she has your back. And she is a great photographer; make sure you check out her work on Instagram.
After the scans of the photographic film and with no editing, here are my first shots with my good friend Hannah Grayson at Clinton St. Studios. So without further ado My First attempts with film
What I Learned
Film photography requires a lot of patience and time. However, this process can help you create a stronger connection with your pictures and improve your understanding of photography. Whether a beginner or a pro, analog photography will help you master camera settings, the exposure triangle, and creativity.
Breathing in Flowers
25th anniversary of Amanda Jean’s lung transplant, and she allowed me to be the one who captured this amazing feat of strength. Her concept was as beautiful as they come. A visual of the life our lungs provide us.
Amanda Jean, Donate Life
Every now and then, the universe provides you with a glimpse into, let’s call it, the bigger picture. That was the case when I met Amanda Jean a few years ago. Amanda is as fun and quirky as they come, with a contagious smile and a beautiful outlook on life. We have worked together on several shoots, including one of my favorites to date and the first shoot we did together playing around with glitter.
In another recent shoot we worked on together we played around with paint. Which was a really fun concept to capture. We really enjoy capturing and working on alternative textured style makeup looks, which is a good way of putting it. What is really spectacular about her though and what made our working together feel like a needed glimpse into the universe, is her story.
A Warrior is Born
baby photo of Amber Jean
By 6 months old, Amanda started having lung problems and then needed a transplant by her first birthday. After the transplant, she would spend the next 18 years with a feeding tube in her abdomen. Being resilient and, in her own words, a little stubborn. She made sure to keep her weight up and worked out to make sure she could have it removed. She overcame all the complications that came with that, as she needed additional surgery because it did not heal naturally as it should. Listening to her tell of the amazing life she has lived and the difficulties she overcame truly resonates with me on such a personal level.
Flashback
Several years ago, on January 13, 2019, my wife and I sat in a hospital room that felt cold and damp. Much like in a movie when a character is getting bad news and the audio is just mumbling with a long ringing in the ears, that is how I remember the doctors talking. The next few days became a blur, but I can remember every detail of them. Our daughter, Rylee Marie Wark, had succumbed to a rare condition in which she did not have a full circulatory system and would never leave the hospital. She was born three days earlier, weighing 9 pounds, 14 ounces.
Krista and Bryan holding their daughter Rylee
We sat by her side for as long as we could before we had to make the decision to remove her from life support. Along with that impossible task, we had to make a decision that is all too often placed in hospital shows as a plot device. Organ donation. When sitting at home watching TV, it seems like, “Why are the parents being selfish?” It feels like they are all filmed that way. In reality, it feels like I sat there with the pen in my hand for an eternity. My skin was cold. For one thing, I knew as soon as I made the decision that I had to face the actual reality that I would never hold my daughter again. But her 3 days on Earth touched the lives of many.
Rylee M. Wark
The Gift of Life
In the end, I did decide to allow them to donate her much-needed vital organs, but I asked only to be informed if anything was successful and otherwise be left anonymous. We were informed that there was a successful heart transplant as a result, and thus we took solace in the fact that a life was saved out of our tragedy. Her beautiful heart lives on in 3 babies who needed a transplant. Sadly, her death certificate arrived before her birth certificate. But there are unexplainable feelings that come with the loss of a child, and one of those things is irrational anger. I would be secretly angry at friends who shared photos of their children with me. I hated movies where everything worked out in the end, And yes, sometimes I found myself hating that someone else’s prayers were answered and was living with my daughter's heart. irrational or not I wanted them to feel the same pain. However, that anger would eventually leave as I began to find peace with what had happened.
Our Daughter Lives On
When Amanda shared her story with me, it gave me the opportunity to truly learn about the other side of the coin. It provided much-needed closure. I asked if she knew anything about her donor, and she did not other than it would have been someone around her age. She mentioned that her mom had sent a letter that was forwarded to the family but never received one in return. Being able to be part of both sides really shines a light on the matter. It reminded me how amazing life is. Not only that, but it showed me how precious a gift it is. My wife and I realized that organ donation is immensely beneficial for the grieving process. We have experienced a sense of relief. We may have lost our daughter but she gave a fighting chance to others. We understand that by donating our daughter’s organs, she was able to save numerous lives. Astonishingly, a single donor has the potential to save up to eight individuals with their generosity!
A Tribute to Amanda’s Lung Transplant
Today marks the 25th anniversary of Amanda’s lung transplant, and she allowed me to be the one who captured this amazing feat of strength. Her concept was as beautiful as they come. A visual of the life our lungs provide us. It was an absolute honor to be able to capture these photographs. Thank you to all those who put positive energy into the world. I would like to leave you with this quote
“To be heroic is to be courageous enough to die for something; to be inspirational is to be crazy enough to live a little.”
― Criss Jami, Venus in Arms
Breathing in Flowers
Breathing in Flowers, Amanda Jean
“All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story…”
- James Baldwin
Working with Elizabeth "Lizard Tentpoles’’ TenWolde
Creating a genuine, and strong bond with your subjects, is always the best way to create amazing works of art. You see it in movies when actors truly enjoyed the company of their costars, and in music when collabs are created out of mutual respect. And of course in photographs when images are made out of friendship and afternoons of really knowing how to work together.
Over the past few months, I have had the opportunity to work with Elizebeth Tenwolde. She is a photographer and model who walked onto the set, and by set, I mean my parent’s garage (we will get to that), and immediately we just hit it off and became instant friends.
It was that simple, but more so, she became my muse, and I mean that in almost every sense of the word. Not just "I must shoot your face," I'm talking about Greek mythology. I got to photograph the 9 daughters of Zeus mixed into a melting pot of awesome.
Meeting Up for Our First Shoot
Working together almost never happened. We scheduled a photoshoot at the tail end of a photoshoot road trip last summer. However, due to my car deciding it would stop being a car and my transmission springing a leak, leaving me stranded in Illinois, I had to cancel. Shortly after that, Lizzie moved out of New York, and it seemed that any idea of us shooting was just not meant to be. Then, with another twist of fate, she returned to New York for a couple of months, and we got to make magic.
Honestly, I would be lying if I said I wasn't surprised she showed up to our first shoot. We decided to reschedule right after I gave up social media and my studio space in Syracuse, NY. The schedule went like this: Hey, you won't be able to contact me on Instagram. Can I have your telephone number, and can you come to my parent's house so I can take pictures of you in their garage?"
The Always Sunny "Dick Flyer" party mansion episode comes to mind with how awkwardly bad I was at wording it.
However, it worked out, and she showed up, and it was like we had been friends since we were 12. We spent more time hanging out and talking during that first shoot than taking photos, but our photos were gold. The concept was to pull off as many styles as possible using tulle fabric, and the setup was pretty primitive. I suspended a canvas backdrop from a rafter using a 550 cord in my parent's garage.
A lot of photographers let conditions like this hold them back. Only having one light source, and no professional studio space available—whatever the excuse, this is how it went. As I said, we had a last-minute setup of minimalist equipment, and our only real idea was to use tulle as a prop. But this is what came out of it.
Elizabeth TenWolde holding the award winning photograph taken by Bryan Wark
Some images became visual representations of powerful messages through multiple publications, gallery runs, and online articles. Others were just fun, playful portraits.
Last Day in My Old Studio
About two weeks after our first shoot, we returned to the studio. This time we had access to my Syracuse location, as it was the last day I was allowed to use it before turning in my key. We ended up doing an impromptu military "out of regs" photoshoot. When my client canceled, I was texting Lizzie, and she was like, "Give me 40," and BAM! she was there with no idea other than a mix of Laura Croft meets disgruntled veteran. We could pull it together with an old steamer trunk, some rugged military clothing, a Micro Roni Glock 19, and a skull from a different shoot earlier that day.
Smoking on a Brisk Day
Our next set was more organized. We had one goal and a simple prop. The day was freezing, and we were back in my parent's garage. I wanted to capture that 1970s smoking vibe. It's one of those iconic obsessions of mine, and Liz just had the absolute perfect look to pull it off. I did a more in-depth write-up of the set; you can read about HERE.
The Finale
Our last shoot together was bittersweet. We had planned it for months and ran through 180 ideas, knowing we would only have time for some of them. Lizzie was moving back to Hawaii, and it would be the last time we could create portraits together for a while. I rented studio space in Binghamton at Clinton St Studios (an amazing place for creatives). Lizzie bought a suitcase for a little bit of everything, and we went to work. We shot photos for my Polaroid project.
Several wardrobes include goth punk, casual girl-next-door vibes, and a vintage prom dress. Sadly, a roll of film we had shot became ruined, and thus the pictures were lost forever. We still ended up with several very nice digital shots.
Establishing a Bond with Your Photography Subject: A Key to Capturing Exceptional Images
To truly create captivating images, it's just as crucial to build a connection with your subject. While focus and exposure remain vital in crafting exquisite photographs, mastering those techniques alone cannot take you far without an emotional bond between the photographer (you) and their muse.
Anyone can take technically correct pictures with a camera. However, will they move us or make the viewers feel something? Not always! To create captivating and meaningful images that draw people's attention, you must use your feelings as an influential tool while taking photos.
"If your pictures aren't good enough, you're not close enough."
Robert Capa is renowned for his iconic war photography, and this popular quote of his lends itself to many more situations than conflict zones. This expression goes beyond the physical proximity of being in danger; it also implies a greater message about taking risks with life.
Getting close takes time and commitment. Sometimes you'll have to wait years to build a relationship with your subject. You may have a few moments to connect on other subjects, just like I did with Elizabeth. Getting close must be intentional.
Final Thoughts
When it comes to creating amazing art, it really helps when you have a person you truly vibe with. It makes shooting so much more fun, and the final product stands out. You can always tell from a photographer's body of work if they have a good rapport with their clients. Body posture is relaxed and natural, and facial expressions show raw emotions, from laughter to sadness. They are natural because they feel safe with you behind the camera to capture their true selves. That is the relationship Elizabeth, and I got to have when creating these shoots over the past few months. I am truly honored I had the chance to work with her during her time in NY.
“Friendship is unnecessary, like philosophy, like art.... It has no survival value; rather it is one of those things which give value to survival.”
― C.S. Lewis
The Polaroid Project
So between nostalgia and that craving to physically hold a picture you took. Polaroids are making their way back into the mainstream. I for one am so happy that they are. I am obsessed with instant film. They give me the ability to combine two of my favorite things in a single compact contraption. Photography and autographs.
The start of the polaroid project
If you have been paying attention, the age of instant film cameras has returned! Well in reality it never really went anywhere and probably won't for a long time. There is just something magical about holding the item you create, rather than it just existing in a sequence of digital code. We can spend all day arguing about how new forms of media replaced old forms. The fact is however, they really don't a lot of the time. They make things regularly available to people who didn't previously have access to them for whatever reason.
People still make pasta from scratch, spend hours painting with oils, and grind away in dark rooms. Are they as prevalent? No, but there are still places where people can find success in these “Dead Industries”. A lot of it is because people love knowing the work that went into creating something and knowing they have the only authentic copy.
You can buy replicas of famous paintings. You can even buy paintings that are made of all the same materials and paints, made to look completely identical to famous pieces of art. But only one of the originals exists. Andy Warhal was blasted in headlines and by art critics because he was ruining art by making it mass produced. All he did was open the door for the common man to own something attached to a famous artist.
Models: Elizabeth ‘Lizard Tentpoles’ TenWolde, Laurel Karee. Carri Fairbairn
Nostalgia, Photography & Autographs
So between nostalgia and that craving to physically hold a picture you took. Polaroids are making their way back into the mainstream. I for one am so happy that they are. I am obsessed with instant film. They give me the ability to combine two of my favorite things in a single compact contraption. Photography and autographs.
At the end of photoshoots I take a selfie with the models and other creatives on the shoot and have them autograph it. It's a fun way to get a memento of the photoshoot. The photos will go to businesses, magazines and tabloids. A lot of times I never even see the end result of my photos; it's part of being a press kit style photographer. So getting a cool little picture of “I was part of this” holds so much meaning to me.
History of Polaroid
An extraordinary fact you might not know is that Polaroid has been so renowned in the realm of instant cameras, its name alone became interchangeable with this format. A situation akin to how my grandparents refer to all smartphones as iPhones or how I call every facial tissue Kleenex - Polaroid stands for instant photography on a global scale.
Have you ever wondered how the term “Polaroid” was coined? It's actually quite simple: it originated from the name of the company that invented the first instant camera. The word itself stems from one of its core components, which is a plastic sheet layered with special chemicals designed to create instantaneous photographs without needing any film development. Therefore, Polaroid can be seen as an academic term for materials used in producing Polaroid pictures and photos!
But what makes Polaroid so special?
Evidently, the iconic Polaroid cameras and logo live on in people's nostalgia. This is evidenced by Instagram’s first app icon which was based on a classic Polaroid camera illustration. Moreover, the square photos that are so popular today were inspired by original pictures taken with those same vintage Instant-film cameras!
Photographs were formerly physical items, only present if you held a film or a print. Then it was all yours. Now we have digital information instead; your photos are saved in the computer, tablet and even phone! I myself own about one thousand pictures on my mobile device alone - quite an impressive contrast when compared to tangible images from decades ago. A material photo felt coveted while virtual files often appear transient.
By having a digital image present in numerous places, you can easily access it no matter the circumstance. Digital photos are unique due to their capability of being infinitely reproduced and rapidly sent anywhere around the world, which makes them less delicate compared to physical prints. I wouldn't say they're disposable but rather something that is not as valuable or fragile.
A digital file can never be as unique as a Polaroid. Because they are made on the spot, and crafted in the same room where its subject is found, it gives off an entirely different sensation that cannot be replicated with anything else.
Test Shots of Isaiah and Josiah, Norwich NY
Test Shots
Now, I have a collection of several different modern Polaroid cameras, and I have been experimenting with different mediums of photography and concepts for a while. With this, I have decided to do an entire photoshoot on instant film cameras. Why not? I used the following cameras to bring this to life: Polaroid Go, The Polaroid Now and the Instax Mini 40. I wanted to have a bit of variety in sizes and shapes for the photos. I think it helps show a story a bit more than looking like an Instagram news feed when laying them out. And these three cameras gave the best options in my opinion.
As any good photographer would, I made sure to test the cameras and what better way to do that than chasing my kids around the house and taking a nice brisk walk on the coldest day of the year around Norwich, NY. I also, of course, tried some self-portraits.
Test Shots of Photographer Bryan wark, 161 clinton st Studios Binghamton NY.
The Shoot
When it came time for the shoot, I rented Clinton St. Studios for the day (you can find there Instagram here). It is such a beautiful building if you are a creative looking for temporary photography studio space in Binghamton, NY it's the place to rent. I rented the space for one day to try it out and did three photoshoots with the instant film cameras. I worked with three models and we shot various styles a piece while working with the same general locations and set ups within the studio.
And the result?
Well, they speak for themselves. Unique, creative and a little bit vintage. Polaroids create a sense of nostalgia and rarity that are lost in the modern digital photography age.
So why not give it a go. Test out your own creative flare and enjoy the instant reward of a photograph that is wholly and uniquely yours.
Model: Carri Fairbairn photographed by Bryan Wark at Clinton St Studios
Model: Laurel Karee photographed by Bryan Wark at Clinton St Studios
Model: Elizabeth ‘Lizard Tentpoles’ TenWolde photographed by Bryan Wark at Clinton St Studios
Smoking Hot Photography
The common cigarette is one of the most iconic items to ever hit the screen. Binghamton photographer Bryan Wark and Model Elizabeth TenWolde capture a 80s vibe as they utilize the simple cigarette as a photography prop
Cigarettes are one of the most iconic "props" in photography and film. We all know why it was so prevalent in the media. As I was growing up through the 90's I would watch old 70s and 80s films with my parents, and everyone from that era smoked.
It was an addictive product worth billions and subliminal messaging became an all time high. Just as you could count on Coke or Pepsi to make a cameo you could always count on a character never going a NY minute without taking a puff.
Because of that, the 3 inches of rolled white paper has become one of the most widely used props in all of media and I don't think I could truly call myself a photographer unless I teamed up with Model Elizabeth TenWolde and took some of my own "smoking photos."
Model: Elizabeth TenWolde Photographed by Bryan Wark, Binghamton NY
Setting The Scene
Elizabeth and I had been planning this photoshoot for weeks. We both wanted to bring back the smoking trend of the 70s and 80s, but with a modern twist. She was wearing black with ripped denim jeans and black hat as I shot her in front of my camera leaning on a simple bar stool in my quiet blacked out studio.
She was a natural, after taking that first puff, Elizabeth's persona shifted. The confidence in her eyes changed to power as she took each drag like it was second nature to her. Her movements were precise and graceful; there wasn’t one wrong move or pose throughout our entire shoot! With each snap I captured, I knew we would create something iconic together—something that would show off just how powerful cigarettes can be when used right (not necessarily in terms of health benefits).
Model: Elizabeth TenWolde Photographed by Bryan Wark, Binghamton NY
Sexy & Bold
Cigarettes have long been a part of portrait photography, as they have become an iconic symbol of power and sexiness. Smoking is seen as a way to escape from the everyday pressures of life and take on a certain level of control and independence. The ritualistic act of smoking can be viewed as cathartic, allowing us to tap into that sense of power within ourselves. Additionally, the smoke emanating from the cigarette can create an air of mystery and sophistication, while highlighting our physical features in portrait shots.
For many people - particularly women - smoking has become associated with independent courage; it is a powerful statement that speaks to our strength even under pressure. They provoke feelings of rebellion against society's norms; by puffing away on them defiantly we feel more fearless and daring than ever before. It makes us feel sexy, confident and carefree - like nothing can bring us down.
Model: Elizabeth TenWolde Photographed by Bryan Wark, Binghamton NY
Cigarettes & Portrait Photography
Cigarettes are still very much part of portrait photography today – even if those trying out this trend worry about what their peers or parents say about it – because they add so much to any image: romance, glamour, attitude. All with just one small prop!
Smoking portrait photos give us a glimpse into our subject’s inner world, showing the confidence and intensity of their character. It can be used to convey anything from deep sorrow to intense joy; it all depends on how you use the smoke in your portrait setting and what kind of message you want to portray.
Model: Elizabeth TenWolde Photographed by Bryan Wark, Binghamton NY
Bringing Back Smoking Hot Photography
Although smoking is now widely frowned upon in modern society, it can still add a whole new level of intrigue and mystery to portrait photography. As modelled by Elizabeth, smoking depict sex appeal, sophistication, and an air of rebellion against convention. It also symbolizes independence and an attempt to break away from the everyday pressures of life.
By adding a cigarette into our shoot, we tapped into that sense of power and freedom. The smoke emanating from her cigarette creating a mysterious ambiance; highlight her physical features while also creating a certain level of mystery and drama.
So why not give cigarettes a shot in your next photoshoot? The possibilities are truly endless! Whether you’re looking for a sexy portrait or an edgy shot, cigarettes can help you bring your portraits to life. After all, portrait photography is all about capturing the essence of a person - and what better way to do that than with an iconic symbol of power and sexiness? So go ahead – shoot!
Remember, smoking can be dangerous to your health and those around you. Be responsible.
Life Before Death: Photo Series
Portrait Photographer Bryan Wark, Explores what it looks like when we become one with our obsessions in a photography series inspired by the Sculpture work of Jack of the Dust.
Erica J. Holds the Tell Tale Heart Skull by Jack of the Dust
Nothing is more humbling than life. It's that balance between life and death that makes portrait photography so compelling.
Those characters whose lives are verging on the edge of mortality can be just as captivating to the viewer as someone living it up, enjoying a life that many would consider too short.
Imagine if you feel compelled to do something so much that it eventually leads to your death. That's what this alternative photo series is about by Bryan Wark.
What If Our Obsessions Became Our Final Resting Ground
I'll tell you what: it would be a freakin' nightmare. That's right—I'm talking about the death of your obsession.
So, what happens to people who die while they're obsessed? Do they become obsessed with something else in their afterlife? Or do they just stop being obsessed at all? What if you're lucky enough to have figured out how to be obsessed forever? I mean, why would anyone want to stop being obsessed with collecting skulls or anything else for that matter?
I'm sure you've heard me say before that I'm obsessed with collecting skulls from Jack of the Dust. The thing is, I don't just collect his art—I buy it! In total, I've bought five pieces from him and plan on adding more to my collection soon.
But back to the photo series by Camera Head: it took over a year to get my hands on all five skulls that inspired this series, along with the work of Edgar Allan Poe and The Tell-Tale Heart. Once acquired, I put out a model call, found five people who were super into the concept, set a date, and got to work!
Behind the scenes By: Mary Turk
Art Imitates Life
The concept of the piece is easy: I want to take several alternative portraits of people who became obsessed with something that would lead to their death.
I'm not going to tell you what it is yet, but I will say this: it's something you're not supposed to be obsessed with. It's illegal, and harmful, and dangerous. And yet people become obsessed by it—and they often die because of it.
I want to capture the moment when they realize that they've lost themselves in this obsession and are no longer living a normal life. They've become obsessed with something that will inevitably kill them—and there is nothing they can do about it.
When I was planning this shoot, I knew that I wanted it to be different. I didn't want to do anything like the typical fashion shoots where the models are posing and looking off into the distance. I wanted something more organic and real, so I decided to hire a make up artist and let her bring out each model's personality in their looks.
Kay Alvarez is an amazing make up artist and she did an incredible job bringing my vision for this shoot to life. Each model was responsible for her own wardrobe, but we discussed it in advance so that we could create a cohesive look for each model.
Mary Turk Photography handled all of our BTS photos and Ray Alvarez allowed me to shoot in his studio for the day (thanks Ray!). The only hiccup was there was supposed to be a BTS videographer there too, but they canceled last minute which threw everything through a loop—but we made it work!
Behind the scenes by: Mary Turk
See Beyond
While I do very much love the way it all turned out, I think there are some things I should have done differently for this experimental photography.
I think I want to revisit this series however, when I reshoot the entire series instead of doing it in a day, I'm going to do it one-on-one with several models each doing a different skull.
Beehive Skull, Model: Mercedes Tepper
Amethyst Crystal Skull, Model: Nancy Shortz
Dead Presidents Skull, Model: Hannah Potter
Day of the Dead Skull, Model: Amanda Jean
Tell Tale Heart Skull, Model: Erica J.
The Birth of Camera Head’s Photography
If a picture says a thousand words, then what does a Camera Head photography say?
As I venture deeper into the world of the Camera Head comic series, I wanted to ponder upon and explore what Camera Heads Photography would look like in our world. Not quite to the degree of having a hamburger for a head or being a “one ribbon wonder” (although those are concepts I will eventually play with). However more of being a fairy tail in modern society, some relatable yet fantastical.
One of my favourite things about photography is how it can take you back in time—to a memory or a place that you haven't thought about in years. It's like meeting an old friend again, but this time with better hair and clothes.
My new series of photographs takes that idea one step further—it takes you back not just to the past, but to another world entirely: the world of Camera Head!
I collaborated with Margarita Loseva (Instagram: retouchrita) to create character designs for six friends. I began with a photo of my friend Risa Fox, to determine if Margarita's and my styles were compatible for the collaboration. After we agreed on that, I took about three to four photos of each person at the studio, allowing Margarita some choice in which image she would use for her part of the project. After about six weeks of editing, here we are.
Risa Fox Caricature Portrait, Photographed by Bryan Wark and Edited by Margarita Loseva
Comic Book & Photography: The Ultimate Mash-Up
The series of Caricature Portrait Photography is to help connect the comic book series with my photography. I want to show that there is more to life than what we see on the surface. I want to help people see through the eyes of a creator and see the world in a new way!
I'm really excited about this series because it's something that I've been wanting to do for a long time, but it's taken me some time to get the resources together to make it happen.
Photography Has Always Been About Something More
When you make art, you put your style on the line.
I'm not talking about a style that's just a bunch of different things thrown together in a "Oh, this is my style!" way. I mean a true, authentic, unique voice that you bring to every project. It doesn't matter if it's writing, photography, or music—you need to find your voice and use it as an instrument for conveying your message.
I've found that this is especially important when working with other people on projects. When you're trying to connect with someone who doesn't know your work very well (or at all), having a recognizable style can help them understand what's going on even if they don't know who the artist is yet. This will help them connect with your content more quickly and easily!
Bringing Camerahead Photography into Our World
Looking at this Caricature Portrait Photography series, you might be wondering what to expect from Camera Heads in the future. Well, I've got some news for you: more of this!
I've been doing a lot of comic photo series lately, but I'm not done yet! I'm going to be exploring different styles of editing with the same concept of bringing Camera Heads photography into our world.
Sophie Mae Vee Caricature Portrait, Photographed by Bryan Wark and Edited by Margarita Loseva
Formaldehyde Von Taste Caricature Portrait, Photographed by Bryan Wark and Edited by Margarita Loseva
Molly Rose Caricature Portrait, Photographed by Bryan Wark and Edited by Margarita Loseva
Tiffany Mora Caricature Portrait, Photographed by Bryan Wark and Edited by Margarita Loseva
Brittany Cho Caricature Portrait, Photographed by Bryan Wark and Edited by Margarita Loseva
Bri Krsyzckowski Portrait, Photographed by Bryan Wark and Edited by Margarita Loseva
Special Thanks
Thank you to all the models who allowed the alterations of The portraits we took to this extreme and most importantly thank you to Margarita Loseva. Without her expertise in editing and retouching none of this would be possible. Please give her a follow on Instagram; RETOUCHRITA
Stay Tuned For More
What I like about this is how it shows the creativity and imagination we can combine, especially when no one person is the same, even if we have a similar vision statement. You can see that flat characters are not enough in Camera Head Photography.
If you look at each of these individuals their photos are slightly different in character yet they still suit this world. This is why I love working with artists. Their artistic vision will get me out of my comfort zone, even if I do not understand where they are going but eventually I locate where they are leading me to and why.
BTS of Bryan Wark Photographing Laurel Karee taken by Jennifer Lynn Sanza